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Свежие интервью с Киллианом
Пух: Новейшие интервьюс Киллианом. Читайте здесь http://www.cilliansite.com/news/blog/2007/04/detectives-poster-interviews-reviews
mitzi: Свежее интервью от 14 марта 2010 года в Scotland on Sunday "Тайна его успеха, как он говорит, заключается в терпении. "Ты просто понимаешь - "'Да, я намерен ждать хорошего сценария. Я не собираюсь хвататься за хлам. И если из-за этого придется сидеть дома и заниматься стрижкой газона, то это отлично". Прекрасно знать, что Мерфи не гнушается выполнять хозяйственные работы. "Я лучший в этом!" - он усмехается. Вот что Киллиан говорит о себе и о своем персонаже Майкле О'Кри, главном герое только что вышедшей "Щедрости Перрье". "Киллиан говорит, что любит трансформации героев по ходу действия, и что его последний персонаж (Майкл О'Кри), может быть, наиболее близок к реальному Киллиану Мерфи. "Я признаю в Майкле много черт, свойственных непосредственно мне. Склонность к проволочкам, и привычка все делать в последнюю минуту, и сдержанность в эмоциях". Полностью на английском ТУТ И два роскошных радио-интервью. 13 марта Киллиан и Брэндон Глисон посетили радиостанцию RTE 2fm's и побеседовали с ведущим Дэйвом Фэннингом (Dave Fanning) о "Щедрости Перрье". Прослушать и скачать это радио-интервью можно ТУТ. 15 марта Киллиан побывал на на BBС-Radio. Он рассказывал ведущей шоу BBC's 6 music Лорен Лаверн (Lauren Laverne) о своей работе в "Пекле" и, конечно же, "Щедрости Перрье". Прослушать можно ТУТ или ТУТ. Киллиан появляется примерно в 1:48:40. Внимание! Это шоу будет доступно для прослушивания только в течение 6-ти дней.
Пух: mitzi ОФИГЕННО!!! СПАСИБО
mitzi: Пух , на здоровье!!! Какая радость, когда новости идут с зайкой!!!!
agnia: mitzi пишет: Какая радость, когда новости идут с зайкой ...и когда фотки идут... Очень не хватает новеньких фотосессий
Пух: agnia пишет: Очень не хватает новеньких фотосессий Это да - церемонии церемониями но хочеться и чего-то эдакого
mitzi: agnia пишет: Очень не хватает новеньких фотосессий Свежее интервью в Culture magazine , там маненький кусочек фотосессии (фотка одна )
Пух: mitzi пишет: там маненький кусочек фотосессии (фотка одна УРА - ЗНАЧИТ ПОЯВИТЬСЯ ГДЕ-НИТЬ ВСЯ
Пух: Cillian Murphy drops his head into his hands and groans: “Ah, man! I’m not digging these questions. Genuinely.” The 33-year-old Irish actor, Batman star and blue-eyed pin-up has thus far taken it on the chin. He is in the bar of a swank Toronto hotel, enjoying a break from filming his new Leonardo Di Caprio thriller Inception. We have, however, momentarily entered the “silly buggers” section of the interview. Who, for instance, would win a wrestling match between Murphy and his fellow Celtic screen stars Colin Farrell and Michael Fassbender? “I’m definitely not answering that. I can’t,” he says, chortling nervously. Does he ever think about dyeing his eyes? “No, but I did actually wear brown contacts for my last film, just out of curiosity.” When was the last time he cried? That one sends him over the edge. He says that it’s not fair. “I want to think of something witty to say, preferably untrue,” he protests. “But I need more time.” If the questions seem unduly flippant, it’s only because they echo the tone of Murphy’s latest movie, Perrier’s Bounty. A crime flick set in contemporary Dublin, it features Murphy as a disgruntled son who resents his conman father (Jim Broadbent), owes money to a mobster (Brendan Gleeson) and falls in love with a suicidal neighbour (Jodie Whittaker). It’s a film both witty and ramshackle that explores similar territory to the “Celtic noir” worlds of Murphy’s Intermission or Farrell’s In Bruges. Thus it also boasts a bestiary of loquacious hard men and booze-sodden eccentrics who spin wildly around Murphy’s sullen and sad-eyed centre. “That’s the way it was written,” he explains. “I am the eyes of the audience, the Everyman in the movie. I’m surrounded by these larger-than-life characters. So all I do is play the situation, and play my reactions.” Murphy does this a lot on film. Playing the reactions, drawing you in without seeming to try. The Oscar-winning film-maker Danny Boyle, who has directed Murphy twice — in the horror flick 28 Days Later and the sci-fi movie Sunshine — says that Murphy “has that thing. Beyond acting technique is this strange thing that makes you put your hopes and fears into him as a lead actor.” Similarly, Christopher Nolan, who directed Murphy in both of his Batman movies and again in Inception, has waxed lyrical about the actor’s magnetism: “He has the most extraordinary eyes. I kept trying to invent excuses for him to take his glasses off in close-ups.” Murphy concedes, reluctantly, that he is aware of the hoopla surrounding his crystal-blue peepers. He adds, though, segueing neatly out of the silly section, that it is never a case of just turning up on set and flashing the camera a look, Zoolander style. “Giving them ‘blue steel’ on cue would be very depressing indeed,” he says. “But I try not to think about it too much. And I suppose it didn’t do Paul Newman any harm.” He says that he is not a Method actor, rather a self-declared research nut who goes deep into the background of his characters “out of respect for the world you’re trying to inhabit”. Hence for Sunshine, where he played a physicist cruising towards the Sun, he spent so much time shadowing the “rock star” physicist Brian Cox that he adopted the professor’s mannerisms and physical idiosyncrasies. “He had a way of sitting and holding his hands that I stole,” Murphy says. Equally, he spent weeks in full make-up and glamour outfit haunting the transvestite clubs of London before playing a cross-dresser in Neil Jordan’s Breakfast on Pluto. “I learnt straight away where these guys get the speed of their wit,” he says. “As you’re walking through Soho you just get it every minute, the insults and the cat-calls. You have to be highly trained with comebacks.” It’s all a long way from a nightclub in Cork in the mid-1990s where, as an impressionable 18-year-old, Murphy was wowed by a local production of A Clockwork Orange (“It was unbelievably sexy and dangerous and all those things that would appeal to a teenager”). Up until then, as the eldest of four children born into a family of progressive arts-inspired teachers (including uncles and grandparents), Murphy had planned a musical career. A guitarist and singer with the Frank Zappa-inspired rock band Sons of Mr Greengenes, he was offered a five-album deal with the East London label Acid Jazz Records. After much soul-searching he turned it down (the financial remuneration was not enticing) and eventually abandoned the group entirely to pursue the newly acquired buzz of provincial stage acting. His rise through the ranks was swift: within four years he had made his theatrical debut in Enda Walsh’s Disco Pigs, built a successful homegrown screen career and moved to London with his future wife, the artist Yvonne McGuinness (they met at a Greengenes gig). It was in London that he starred in Boyle’s zombie hit 28 Days Later. “That was the watershed film for me,” he says. “That was the one where people actually saw a film that you were in and said: ‘God, you’re that guy! Silly Ann Murphy!’ Which was a start.” Murphy still lives with McGuinness in northwest London, and is now the father of boys Malachy, 4, and Carrick, 2. He says that he’s had plenty of “pinch me, is this real?” moments in his career (mostly involving his role as the arch-villain Scarecrow in the rebooted Batman movies), but it is his family who pull everything into focus for him. “I love acting, but they show me that there are other things that are more important in my life,” he says, adding that his kids have no idea what he does. “They think that I unload the dishwasher for a living.” He finishes by running through his forthcoming movies (all five of them), including Inception (“It’ll be unlike anything you’ve ever seen”) and Dalí and I, the Salvador Dalí biopic starring Al Pacino. “That one’s all up to Pacino,” he says. “It hasn’t started yet. Obviously he hasn’t decided.” He talks some more about his love for music, about his competitive running habit (he ran the Paris half-marathon last year) and about hanging out with his close friend “Cols” Farrell in LA. He says that he has no plans for his career and no ambitions, other than to work on some theatre next. He then stands up to leave, smiles to himself, and finally says the words: “Reading the road.” Sorry? “The last time I cried. Reading Cormac McCarthy’s The Road.” He gives a little nod of triumph and skips out of the room. Happy, it seems, to have said something not witty, but true. Perrier’s Bounty is released on March 26 http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article7067436.ece#cid=OTC-RSS&attr=7003081?utm_source=twitterfeed&utm_medium=twitter
mitzi: Пух , ага, отличное интервью... Килли про шумиху вокруг своих синих глаз говорит И так забавно про посудомоечную машину сказал Тока странно, что интервью взято в сентябре, а опубликовано в сети только сейчас
Пух: mitzi брали видимо заранее и припрятали до времени
mitzi: Вот еще свежая ивьюшка с Дингла. http://www.independent.ie/entertainment/day-and-night/features/defying-murphys-law-2104305.html
Пух: mitzi пасиба
mitzi: Вот ожидаемое The Late Late Show с участием Килли http://www.rte.ie/player/#v=1069035
Пух: Уже на тюбе
Пух: Ой над КИлли не могу Цитата- "Е-Е-Е_Е-Эмоушинал-Е-Е-Е-Е..."
Пух: И как они с Бренданом классно синхронно ноги закинули
mitzi: А маечка-то какая зачетная!! Ворот просто чемпионски растянут.
Пух: mitzi пишет: А маечка-то какая зачетная!! Да уж! Килли в смысле одежды в своем репертуаре
Мэй: *укатилась под стол* TV virgin Ну вот, лишили парня невинности.
mitzi: Мэй пишет: Ну вот, лишили парня невинности Причем- публично и принародно!
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